Blowing Cave Mill. A jpeg file straight out of the camera.
I'm a jpeg shooter. Most of the time my files come out of the camera ready to use, with maybe just a little massaging in Photoshop's Curves and Brush tools.
But I'm a piker. I hedge my bets. So my cameras are always set to shot both jpeg and RAW. I know it's heresy, but most of the time, if the jpegs look good I throw the RAW files away.
But sometimes I photograph a scene with so much contrast that a jpeg can't cover the range between highlights and shadows. That's when I go to those RAW files. Yes, I could do layers and so forth on the jpegs, but that soon becomes more trouble than just opening the RAW file in Capture One. (I've been using Capture One, by the way, to process RAW files about as long as I've been doing digital photography. It's always worked well for me.)
In the photo of Blowing Cave Mill at the top of this post, bright sunlight on my right gave an exposure that rendered most of the scene correctly but left the near side of the mill in deep shadow. I opened the RAW file in Capture One and moved the Shadows slider to 100%, creating a more balanced file, as you can see below. I then used the Brush tool in Photoshop to brighten that side just a little more. A technique very similar to burning and dodging a darkroom print.
Oh, look! There's a water wheel hiding in those shadows!
The metering systems in my Fuji cameras are so accurate that most of the time jpeg files come out of the camera ready to use, with maybe a half-stop exposure adjustment up or down in Curves. Saves time and gives me files that accurately depict the scene as I saw it with a minimum of fuss and bother.
Photo: Fuji X-T3 camera, Fujinon XF 16-80mm lens.
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