Wagner's Store

Walter Wagner's Store. Silverville, Lawrence County, Southern Indiana.

When I left southern Indiana for college in Chattanooga in 1955, Walter Wagner's General store in the tiny crossroads village of Silverville was still very much a going concern.  In 2005 when I made this photograph, not so much.

I grew up on a farm about two miles away, and my brothers and sister and I made the trip many times -- on foot, on bicycles, and on a horse-drawn sled. In those days you could buy just about anything you needed at Walter's store -- a pair of shoes, a pair of overalls, a Coke, or a Popsicle. And groceries, of course. You could even buy a slice of ham or baloney, with which he would give you slices of bread and set out the mustard pot for an impromptu lunch.

Walter and his wife Ivy attended the little Baptist church about a half-mile away, where we also attended. (My parents and some of my siblings are buried in the cemetery behind the church.) Walter's wife was my Sunday School teacher and one of his daughters was my music teacher in high school.

Notice the long, rectangular block of concrete in the lower left of the picture? That's where the two gasoline pumps stood: regular and high-test. If you wanted to buy gas, you used the manual handle on the side of the pump. At the top of the pump was a glass container marked with lines and numbers to indicate the number of gallons you wanted. After you pumped your gas up to the desired level, you inserted the hose nozzle into your tank and dispensed the gas. 

Walter and Ivy are gone, as is most of Silverville. The old store was still standing as of 2005, but I imagine it's also gone by now. As are so many of the old things and old ways.

The photo was made with a Canon EOS 20D and the Canon EF 24-85mm f3.5-4.5 lens.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography      travel photography   Canon EOS 20D camera      Canon EF 24-85mm lens    digital photography    southern Indiana     Silvervillee, Indiana

Life Gets in the Way

 The Maid of the Mist tour boat at Niagara Falls (Canadian side, 2019.) Fuji X-T20, 16-50mm Fujinon XC lens.

My regular readers (all five of them) will probably have noticed that my posts have been a bit sporadic of late. As I write at the foot of every post: "I post every Monday, Wednesday, and Friday unless life gets in the way." Well, life has been getting in the way.

I began blogging in August, 2011, wrote six posts in a row, and quickly realized I couldn't keep up that pace because of my lack of personal discipline and the realization that it took more time than I was willing to commit to. So I shelved the whole thing for eight years.

In December, 2019 I restarted the blog and made a commitment to post three times a week. I've mostly kept that promise, with more  than 775 original posts over a span of six years.

But now, however, life is indeed getting in the way more intrusively in three ways:

First, I'm not making new photographs. I don't find Knoxville to be a very fertile place to make the kinds of pictures I want to make. And it takes time and miles of driving to get out where the pictures are.

Second, Louise and I are both getting older. Her back is an ongoing problem, so many times when I might have been able to go out rambling with my camera I needed to stay close to help her.

Third, my own lack of mobility. Since I had the bad fall at Potter's Falls in August, 2024, walking is not enjoyable. It's hard to make my kind of photos without doing at least some walking, including up and down hills and on uneven ground.

So in short, I'm not creating new content and that makes it difficult to keep the blog going at the level I've established. 

I don't want to quit blogging, so for now I will commit to at least one post per week. I might post more often if I have something especially interesting to share.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

 

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography      blogging   Fuji X-T20 camera     Fuji XC 16-50mm lens   

Passing through Gettysburg

 

Dead Confederate sniper at Gettysburg Battlefield. One of the best-known pictures from the Civil War.

Louise's grandparents immigrated from Ireland, settled in Halifax, Nova Scotia, and raised a large family. When her father was grown he immigrated to Maine, where he met and married Louise's mother. They moved to New York, then, when Louise was six, to Miami, where she grew up. Over the years Mr. Devlin gradually lost touch with his birth family. Around 2018 one of Louise's sisters was able to find and make contact with some Devlin relatives still in the Halifax area. So 2019 we hitched our Starcraft travel trailer to our valiant 2006 Chevy truck and set out for Halifax, Nova Scotia to visit relatives we had never met. 

Coming home, we took our time and worked our way down the Maine coast, camping at various places and revisiting places we had first visited in the 1980s. We then went west to Niagara Falls, and from there south through Pennsylvania to Gettysburg, where we met with one of our nieces who lived in the area and her son. They gave us a tour of the battlefield.

Sniper's Den, Gettysburg National Battlefield Park

 I especially wanted to see if I could find the location of the picture at the top of this post. One of the best-known photographs from the Civil War, it was made by Timothy O'Sullivan and Alexander Gardner after the battle. (They exercised a bit of "creative license" by moving a body 40 yards into position.) Nonetheless, it is a remarkably poignant photograph. The photo immediately above shows the sniper's hideout looking very much as it did in 1863. Rocks don't change much.

 Our mighty Chevy truck and Starcraft camper at Gettysburg.

The next day we toured the old town of Gettysburg and ate in a very old restaurant. Then it was back to the road home.

My photos were made with a Fuji X-T20 camera and the Fujinon XC 16-50mm lens. I have no information about the camera used by O'Sullivan and Gardner, but it was undoubtedly very large and made negatives on glass plates.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography      Civil War photography   photographic equipment    Fuji X-T20 camera     Fuji XC 116-50mm lens    Gettysburg   Gettysburg Battlefield National Park     Alexander Gardner, photographer     Timothy O'Sullivan, photographer

Minimum Equipment, Maximum Photography

 

The Bridal Vail

Leica M3, 50mm f2 Summicron

An amazing number of the world’s greatest photographers have been Leica rangefinder shooters. The question is, were they Leica shooters because they were great, or were they great because they were Leica shooters? (And with Leicas, I include similar interchangeable lens rangefinder cameras.)

Neither proposition is entirely correct, yet I suspect it may be closer to the truth to say they were great because they were Leica shooters.

The average well-equipped photographer who sallies forth laden with a pair of DSLRs and a battery of zoom lenses covering a range of 12 to 300mm or more is ready for anything. The problem is that the photographer who is ready for anything is actually ready for nothing. In contemplating any subject, he must decide whether he should use a wide angle to encompass the entire scene or move in close for dramatic impact. Should he back off with a telephoto for flattened perspective and/or shallow depth of field, or should he zoom in to concentrate on a specific detail? The options are overwhelming and invite a terminal case of paralysis by analysis.

I once read an article about the travel photographer Gerald Brimacombe, who at that time was working with a pair of digital cameras that most professionals and advanced amateurs would consider too limited for serious work. Yet, he chose to work within the limitations of those cameras and concentrate on what they could do, rather than what they couldn’t do.And produced pictures that sold over and over.

Although he happened not to be using Leicas, that concentration is nonetheless the essence of the Leica approach to photography. As Picasso said“Forcing yourself to use restricted means is the sort of restraint that liberates invention. It obliges you to make a kind of progress that you can’t even imagine in advance.”

 

Poverty in Rural Tennessee

Leica M3, 35mm f2.8 Summaron

I think it is something like this that made so many Leica shooters great: since using a Leica and one or two or three lenses doesn’t make for a lot of options, they learned to photograph the things that could be photographed with their limited equipment and let the rest of the world go by.

Obviously, you don't have to shoot with Leicas (I don't) to practice the principal of limited means. The standard advice for budding photographers used to be to shoot with only one camera, one lens, and one film for a solid year before adding anything else to the kit.

Of course, all this makes me a voice crying in the wilderness of this gearhead world where some people actually list their photographic arsenals as part of their signatures on internet forums. To them, I would say, "Your cameras are great. Now could I please see your pictures?"

(Reposted from January, 2020)

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography      Leica photography   photographic equipment    minimum equipment    Pablo Picasso   Gerald Brimacombe

St. Simon's Island: Part II

The interior of Christ Episcopal Church.

The present sanctuary was erected in 1884, built in the shape of a cross, with beautiful stained-glass windows throughout, including one by Tiffany, and another depicting John Wesley preaching to the settlers. The woodwork is also unusually fine.

 

Stained-glass window in Christ Episcopal Church depicting John and Charles Wesley preaching to the settlers on St. Simon's Island.
 

 

 

 

 

  

Best-selling author Eugenia Price, who made Christ Church nationally known through her historical novels, is buried among the live oaks in the church's cemetery.

 

 

 

St. Simon's Island Lighthouse and Museum on Beachview Drive.

Dating from 1872, the St. Simon's light replaced one built in 1810 that was destroyed by the Confederates during the Civil War to make navigation more difficult for Yankee ships.The original light was 75 feet high and made of tabby taken from the ruins of Fort Frederica, in case you were wondering why so little is left of that fort. Some of it probably went into other building projects on the island as well. The use of  tabby was the idea of James Gould, who, after building the lighthouse, became its keeper for 27 years. Eugenia Price wrote about Gould in her historical novel, Lighthouse, the first book in her St. Simon's trilogy.

Congress authorized building a new lighthouse in 1867, but the project was delayed because of unhealthy living conditions. Stagnant ponds near the site bred mosquitoes, and two contractors died of fever before the lighthouse and Victorian-style keeper's residence were completed in 1872.

Now owned and managed by the Coastal Georgia Historical Society, the lighthouse and keeper's residence, currently a museum, are open for tours, including climbing the 129 steps to the top of the 104-foot tower.

 If you're hungry after climbing the lighthouse and would like to do a bit more exploration of a very interesting place, go left  on Beachview for a few blocks to a shopping area with some very good restaurants. My wife and I have eaten seafood several times at The Half Shell SSI, 504 Beachview Drive and always found it excellent. (Adapted from my book Backroads and Byways of Georgia.)

Both photos were made with an Olympus E-M5 digital camera with a Panasonic Lumix Vario-G 12-32mm lens.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography    digital photography   travel photography    St. Simon's Island, Georgia    Georgia coast    Panasonic Lumix 12-32mm Vario-G lens   Olympus E-M5 camera    Christ Episcopal Church    Eugenia Price

The Backroads Traveler: St. Simon's Island

 The remains of Fort Frederica, St.Simon's Island, Georgia.

 In 1736, only three years after founding Savannah, James Oglethorpe led a group of 44 men and 72 women and children to build a fort and a town at a strategic location on St. Simon's Island on Georgia's southern coast. He named it Frederica, after Crown Prince Frederick, son of George II.

It was only an earthworks at first, but under Oglethorpe's leadership and inspiration, a substantial fort of tabby was built within a few years, and inland, behind the fort, a village with walls and a moat, laid out in 84 plots, most of them 60 by 90 feet, with broad streets lined with orange trees and substantial homes of brick, wood, and tabby, housing a population of as many as 500.

After being routed by the British in the Battle of Bloody Marsh on St. Simon's in 1742, the Spanish were no longer a serious threat to Georgia, and the garrison at Frederica was disbanded in 1749. Without the economic input of several hundred soldiers, the town withered and died, becoming effectively a ghost town by 1755.

Today, Fort Frederica is a national monument, although all that remains is a small piece of the fort and the many house foundations excavated by archaeologists that line the streets.

To get to Frederica, take the causeway from Brunswick to the island and go north on Frederica Road. On the way, you will pass Christ Episcopal Church, a church with an interesting history. We'll come back to that later.

Christ Episcopal Church, St. Simon's Island.

From the fort, take Frederica Road back to Christ Episcopal Church at #6329. Founded in 1808 on a site where both John and Charles Wesley had preached to the settlers at Frederica in the 1730s, Christ Church did not have a permanent building until 1820. That first structure was severely damaged during the Civil War by Union troops. (To be continued. Adapted from my book Backroads and Byways of Georgia. )

Both photos were made with an Olympus E-M5 digital camera with Panasonic Lumix Vario-G lenses -- the 14-140mm for Fort Frederica and the 12-32mm for Christ Church.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography    digital photography   travel photography    St. Simon's Island, Georgia   Fort Frederica National Monumeent    Georgia coast    Panasonic Lumix 12-32mm Vario-G lens   Olympus E-M5 camera    Panasonic 14-140mm Vario G lens     Christ Episcopal Church

Handling and Using a Twin-Lens Reflex

Gray's Mill, Chickamauga Creek, Catoosa County, GA. Rolleicord vB

A twin-lens reflex is one of the easiest camera types to handle and use -- although it may not seem that way at first if all or most of your experience is with digital photography. The biggest difference is film itself. It has to be bought, stored, loaded into the camera, then processed, and most likely, scanned. A lot of hassle compared to the almost instant access of digital photography. Is it worth it? Some of us like the slower, more contemplative approach of the TLR. And I love composing in the square format. But it's not for everyone.

Most TLRs take 120-size film, which makes a negative or transparency 2-1/4 by 2-1/4 inches. That's more than three times the size of a 35mm negative.

Henry County Courthouse, McDonough, GA. Yashica 124.

Load a roll of film into the camera by opening the back. Move the empty spool to the take-up position and insert the new roll in its place. (Most cameras have spring-loaded buttons to make this easier.) Pull the paper leader across to the take-up spool and insert the tongue into the spool. Turn the crank or winding knob to make sure it's connected, then wind the film until the arrows on the backing paper are aligned with the arrows on the sides of the film chamber. Close the back and wind the crank or knob until it stops. You are now ready to make your first exposure.

Hold the camera in the palm of your left hand (if you're right-handed). Looking down at the camera, you will see a small window with some numbers above the lenses, and either a small lever or wheel on each side of the lenses. Turn the wheels or move the levers to set the shutter speed and aperture. You will see your settings in the little window above the lenses.

 Pond and barn. Keith Road, Catoosa County, Georgia. Rolleicord vB.

Some TLRs have built-in exposure meters -- the Yashica 124 series have CDS meters that are fairly accurate for use with black and white or  color negative film. I'm sure the Rolleiflex has an accurate meter, but I've never owned one, so I can't say. My Autocord has a selenium cell meter, but I don't trust it with color transparency film. I use a separate, hand-held meter, in my case a Minolta Flashmeter III incident meter that's now 40 years old but still accurate.

Abandoned church and cemetery near Charleston, SC. Minolta Autocord.

So when you've selected a subject and taken a meter reading, set your shutter speed and aperture. Raise the viewing hood on top of the camera, frame your subject, and use the focus knob to focus. The image on the screen will be backward, but that's something you will get used to very quickly and it actually helps in composing the image. If you need to focus more accurate, flip up the magnifying lens in the hood. Press the shutter button to take the picture, then turn the crank or winding knob to be ready for the next exposure. And that's it!  

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags: photography   film photography    Rolleiflex camera   cameras     film cameras    twin-lens reflex    TLR    Minolta Autocord camera    Rolleicord camera    Yashica camera  

The Twin-Lens Reflex: Some History

 Abandoned Maverick. Grundy County, Tennessee.

 In many ways the history of the twin-lens reflex is the history of the Rolleiflex.

Invented by the German company Franke and Heidecke in 1929, the Rolleiflex was the first of its kind and soon became so popular that by 1940, 400,000 cameras had been sold. The TLR was the camera of choice for both amateur and professional photographers from the 1930s to the '70s. 

Of course, such success spawned many imitators, most of which were short-lived. Some, however, such as the Zeiss Ikon Ikoflexes, the Yashcamats, the Minolta Autocords, and the interchangeable-lens Mamiyaflexes survived to the end of the twin-lens era. Rollei itself produced a less expensive model called the Rolleicord.

The 1825 Fayette County Georgia Courthouse.

The TLR was used by a great number of notable  photographers, including Irving Penn, Richard Avedon, and Robert Capa. I have even seen a photograph from the 1940s of W. Eugene Smith, up to his chest in water, photographing with a Zeiss Ikon Ikoflex.

The twin-lens era was pretty much over by 1980, with only a few wedding photographers and others hanging on to their TLRs. The last Rolleiflex was produced in 2014.

The photographer most closely identified with the twin-lens reflex was Fritz Henle. His work with the Rolleiflex in fashion, advertising, magazine, and industrial photography, and his many travel books earned him the name "Mr. Rollei." I wrote a series of posts about him in 2020. You can read the first one here.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags: photography   Rolleiflex camera   cameras     film cameras    twin-lens reflex    TLR    Minolta Autocord camera    Rolleicord camera    Yashica camera    Mamiyaflex camera    W. Eugene Smith     Fritz Henle    Rolleicord camera

 

The TLR Film Project

My Minolta Autocord twin-lens reflex with my seven rolls of Fuji transparency film

Although I've been almost exclusively a digital photographer for many years, I will always have a soft spot in my heart for film cameras and still have several of them -- a Canon EOS A2, an Olympus OM2n, a Canon AF35ML, and most especially, a Minolta Autocord twin-lens reflex, or TLR.

From my beginning in photography in 1968 through the early 1980s I owned Rolleicords and Yashicas and used them frequently before moving on to medium format single-lens reflex Bronicas, Hasselblads, and Mamiya RB67s. But I always liked to keep at least one TLR around.

If you'd like to know more about why I like twin-lens reflexes, you can read about it here, in one of my earliest blog posts.

 Currently, I have only one TLR, a Minolta Autocord that I bought nine or ten years ago. It makes beautiful pictures, but to my shame, I haven't used it very much. 

Also to my shame, I have seven rolls of 120 color transparency film -- Fuji Provia and Astia that have been in my freezer for years. 

Reading up on longevity statistics, I found that a man my age has an average life expectancy of four years. That spurred me to determine that, if possible, I would not leave this life with those rolls of film unexposed. 

So my new project is to carry the Autocord with me everywhere until all the film is used. This may take a while, because this is not the best time of year for photography, unless we get some interesting weather.

And then, after each roll of film has been exposed, it will have to be sent away for processing. And when the transparencies come back, they will have to be scanned. Then, finally! -- I'll have pictures to post.

So we'll get there eventually.  

And when all the film has been exposed and processed, I will sell the camera and kiss that chapter of my life goodbye.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags: photography   film photography    cameras     film cameras    twin-lens reflex    TLR    Minolta Autocord camera    Rolleicord camera    Yashica camera    Fuji Provia film    Fuji Astia film    120 transparency film

I've Never Owned a New Car: Part II

 Seven-months-pregnant Louise with our 1963 Plymouth. A great road car. Miami, 1968.

As I mentioned in my first post about used cars on December 29, we moved from Miami to Chattanooga in 1970. By this time we had sold the Plymouth and bought a 1962 Chevy Nova wagon from missionary friends who were moving out of the country. It served us well.

The Mercedes 240D in the driveway of our suburban home before we moved to the farm.

 In 1982 I landed two really profitable contracts for audio-visual productions and splurged on a 1978 Mercedes 240D with only about 70,000 miles. Diesel was cheaper than gas in those days, and it averaged about 25 miles per gallon over the years we owned it. It had about 265,000 miles on the odometer when we finally kissed it goodby.

When we bought our farm property in McLemore Cove in 1985, we bought a low-mileage Ford Courier long-bed pickup. It served us well for many years until we replaced it with a Ford diesel full-size truck which did not serve us well.

In 2000, as Louise prepared to go back to school for her Masters degree in nursing, which involved a long drive several days a week, she bought a new Saturn, which was a really good car. It was the only new car we've ever owned, and Louise bought it herself, with her own money. After she graduated she bought a 2002 Dodge Grand Caravan and I inherited the Saturn.

I drove the Saturn until 2008, when Louise bought a 2007 Grand Caravan. I sold the Saturn and began driving the 2002 Dodge. I drove that car all over Georgia while working on my books, finally winding up with 245,000 miles on the odometer. In 2016 we bought a 2013 Chrysler Town and Country van for Louise (which we still have), and and I sold the 2002 Dodge and began driving the 2007. I firmly believe that 2007 Dodge Grand Caravan was the best car we ever owned.

The 2007 Dodge Grand Caravan. The best car we've ever owned.

 But in 2018 we bought a 22-foot Starcraft travel trailer and soon realized that neither the Dodge nor the Chrysler was up to pulling it. Something had to go. Sadly, it was the Dodge. So we sold it and bought a 2006 Chevy pickup, which we drove on a 7000-plus mile trip to South Dakota, Wyoming,Idaho, Utah, and Arizona in September, 2018, seeing not all, but most of the sights. It was the trip of a lifetime.

Leaving Deer Run Farm for our trip west. September, 2018.

 We also drove that rig to Florida twice, to Indiana, and to Nova Scotia. I ultimately sold the Chevy to buy the massive Ram 3500 diesel that we thought we needed when we moved into a 35-foot fifth wheel trailed in 2021.

Nowadays we still have the Chrysler as well as a very civilized 2016 Kia Sorento which we bought (used, of course) in 2023 in immaculate condition with only 73,000 miles. I hope we're around to drive it another 200,000.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2026 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags:   photography    used cars    1963 Plymouth Belvedere    1962 Chevy II Nova    2006 Chevy pickup    2002 Dodge Grand Caravan    2007 Dodge Grand Caravan     2013 Chrysler Town and Country     2016 Kia Sorento     1978 Mercedes 240D     2000 Saturn     Starcraft travel trailer     Ford Courier pickup

 Sea Otter giving me the eye. Alaska, 2015.

The sea otter giving me the wary eye has nothing to do with today's post. But this is a photography blog, so I always like to give my readers (all both of them) a picture or two to look at.

I apologize for my prolonged absence. Since just after Christmas I've been laid up with a monster sinus infection that had me going through Kleenex by the gross (the whole business was gross, actually), while feeling weak and detached and incapable of doing much beside lying around and blowing my nose.

I'm better now, although not 100%, and ready to get back to blogging. I hope I can come up with some new material that will keep both of you readers happy.

Click on the link at left for information about ordering original signed prints from the Rock City Barns book.

If you like my pictures, visit my online gallery at https://davejenkins.pixels.com/  

Signed copies of my book Backroads and Byways of Georgia are available. The price is $22.95 plus $4.95 shipping. My PayPal address is djphoto@vol.com (which is also my email). Or you can mail a check to 8943 Wesley Place, Knoxville, TN 37922. Include your address and tell me how you would like your book inscribed.

Photography and text copyright 2025 David B.Jenkins.

I post Monday, Wednesday, and Friday unless life gets in the way.

Soli Gloria Deo -- For the glory of God alone.

Tags: photography   travel photography    sea otters     Alaska