Lights Out!
Cordele Drive-In Theater
U.S.
Hwy. 41, Crisp
County, Georgia
The thing I most like to do with my photography
is tell stories. Early in my career I realized that, for me, photography is
above all an art of exploration. Yet, it took a long time for
this understanding to come to fruition. For many years I randomly
clicked my shutter at anything and everything without any structure or
purpose other than I thought it might make a good picture. My
professional work was moderately successful, but I did not really know
who I was as a photographer.
In time, I gradually came to realize that in order to be fully engaged I need to be
working toward some sort of story, whether a photo essay or a photos-and-words
story. The best years of my career were the late ‘80s and early ‘90s, when I
was traveling around the country and internationally, developing and shooting
A-V programs. Telling stories in photos and words. This kind of work was even
more comprehensive than shooting for a magazine article, because it was like
making a movie; telling a complete story, but in still photos rather than
motion pictures.
Later, I moved on to creating books, which is also a great vehicle for photography; perhaps even better in some ways because books are more permanent.
I’m not an art photographer, except perhaps incidentally, or perhaps I should say accidentally. I’m always looking for visual puns, but other than that I’m mostly not looking for stand-alone photographs, although I certainly take them when I find them. Some photos are a complete story in themselves and require neither context or prior knowledge. Most, however, work better when accompanied by captions or other pictures or text, and some are basically meaningless without that context.
Many of my photographs are not strong on their own, but gain strength from their context as part of a story or sequence. The thing I do, though, is photograph the “thereness” of things. Many of the photographs in Georgia: A BackroadsPortrait are like that, just “there.” Presented without art or artifice. A good example is the photo of Katie’s General Store on page 64. It’s just there and that’s just the way it looked. It bears quiet witness to a vanishing way of life in rural Georgia. As Wright Morris might have put it, it's "commonplace." Not a remarkable picture in itself, but stronger because it's part of the sequence of photographs that precede and follow it.
Katie's General Store
GA
Hwy. 376
Echols
County, Georgia
On
the other hand, "Lights Out," the photograph at the head of this post,
can stand alone, telling its story without need of a context. But it
also adds strength to the sequence in which it appears, a story of time
passing, a world fading away.
My domain is the old, the odd, and the ordinary; the beautiful, the abandoned, and the about to vanish away. I am a visual historian of an earlier America and a recorder of the interface between man and nature; a keeper of vanishing ways of
life.
This is a repost from January 31, 2020. We closed on our new-to-us condo in Knoxville yesterday, January 31, 2023.
If you like my photographs, you can see more of them in my online gallery at https://davejenkins.pixels.com/ Looking is free, and, who knows? You might find something you want to keep.
The second edition of my book, Backroads and Byways of Georgia will be released in June, 2023.
Photographs and text copyright 2023 David B.Jenkins.
I post Monday, Wednesday, and Friday unless life gets in the way.
No comments:
Post a Comment