Friday, February 4, 2022

Photographic Composition 101 Part I: Put It in a Frame

 

Above are two photographs of the beautiful, old Starr's Mill, a few miles south of Fayetteville, Georgia. They were taken at different times and with different cameras, however, looking at each file at high magnification, there appears to be no difference in photographic quality.

Which one do you prefer? Can you say why?

Although the second photo is sharp and has beautiful light and color, most people prefer the first one, even though many probably could not say why. The mill looks great in the second one, but there's no feeling of depth and no place for your eye to rest. In the first one, the tree on the right, the rocks on the shore, and the dam all combine to lead the eye to the mill. They form a frame around it,  which gives the picture a a sense of depth and dimensionality.

"Framing" a photo is a very effective compositional technique, and one I use a lot. In this photograph of Short's Mill near Clarkesville, Georgia, the mill is actually only a small part of the picture, yet the stone ledge, flowing water, and autumn tree form a frame to lead the eye to the old mill. 


There many ways to put the subject of your photograph in a frame. For instance, in this photo of a children's Sunday School class, the way the children's heads are turned direct the viewer's eye to the teacher and the child she is speaking to. 


I don't use this technique of framing for every shot, of course, but I think if you learn to look for opportunities to put a frame in your pictures it will improve your photography.

Photographs and text copyright 2022, David B.Jenkins.

I post Monday, Wednesday, and Friday each week unless life gets in the way.

Soli Gloria Deo

For the glory of God alone

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